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SAMSON

third world bunfight . woordfees festival . 2019

 

This hard-edged music-theatre experience, driven by an electrifying live electronic score that blends opera, choral vocals, dynamic ensemble work and stunning video visuals, is a reimagining of the classic biblical tale, removing it from its religious roots and placing it in a dystopian world shaped by rampant capitalism, human displacement, xenophobia and violence. It challenges us to confront the historical injustices and suppressed anger that often fuel the brutal acts of terror carried out by marginalised and alienated men.

 

CREATIVE TEAM

script, design & direction : Brett Bailey

musical composition & direction : Shane Cooper

design collaboration : Tanya P. Johnson

choreography : Elvis Sibeko

animation design : Kirsti Cumming

lighting design : Wolf Britz

sound design : Marcel Bezuidenhout

AWARDS

2021

Music Theatre NOW! Competition (Global) : one of 6 winners

2020

kykNET Fiestas (South African National Theatre Awards) : Best Music Theatre Production and Best Director, and nominated for Best Production, Best Design and Best Costumes

2019

Woordfees : Best Technical Achievement Award for music and musical direction by Shane Cooper and video animation by Kirsti Cumming

TOURING HISTORY

2024

Teatros del Canal, Madrid

2023 

Nanterre, France

International Theatre Festival of Kerala, India

Africologne Festival, Germany

2021

Festival d’Avignon, France. 

GREC Festival, Barcelona, Spain

2019

National Arts Festival, Grahamstown, South Africa

Woordfees, Stellenbosch, South Africa

 

REVIEWS

[Brett Bailey] gives us a musical, a ritual, a sensory feast. Everything is thrown at it: dance, big screen animated projection, a live electronic soundtrack created by jazz hotshot Shane Cooper, bizarre costuming, an onslaught of symbolism.

Steve Kretzmann, The Critter

But that’s Bailey who puts on a show with such fire that at first viewing one can’t help burning up. It took a second viewing, a luxury at an arts festival, to take in the full scale of this massive production. It can be overwhelming but once you sit back and allow the story to unfold with everything available; a compelling narrator, a brilliantly animated backdrop, actors/dancers/singers, music and musicians, in typical Bailey fashion, it’s all there as  he deals with a dysfunctional and destructive world in a way that tears at your heart.

Diane De Beer, De Beer Necessities

 

© kirsti cumming . all rights reserved 2025

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